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The Man and the MoonHer mouth corners hung themselves
and I began to wonder if that was the death of them.
A simple, quiet death;
without broken fingernails lining the walls
with the stripes of a despairing end.
I began to ache with the questioning in my heart
with the echoes reverberating in my capillaries
of her face scorching sunshine in her smile
right before it crumpled
and nothing was left but a frowning moon
set firm in its resignation to an upcoming eclipse.
Dandelion QueenI dream of the ocean;
that paper-thin line where
the current swallows the stars
and the water churns violet
(you tell me to be
dandelion queen, we've
heard all these words before)
I will sleep heavy
and wake a few hours before dawn,
only to forget my name
my wave-weathered heart will cry,
I will cry (my biggest fear
is drowning in too many
of my own weighted words
you tell me to be
so I can hear the world breathe)
I want to go home
the scars on your shouldersthe scars on your shoulders
are braille to me, so that i
can read your skin, so that i
can know you better.
i like to listen to your heartbeat
and how it resounds differently
from mine, just so beautifully
like two songs played in tandem
to harmonise in rounds;
i like to hold your hands
and rub your back
so that maybe my love
can find its way through your pores
and seep into your blood
(never can i find the right words
to tell you just the way you feel to me)
and to think that and how i nearly missed you
makes me miss you more
every minute and mile we spend
i can't sleep with another body
in my bed,
but sleeping without you
He doesn't write poetry anymore.He doesn’t write poetry anymore,
even if he still collects it, reads it, saves it, treasures
faded verses from his wife the way connoisseurs
savor vinyl over metallic rainbows on disc.
I don’t mind not knowing, but I can’t stand not asking.
The record needle hits the groove wrong;
he stumbles over words that aren’t there,
rummaging for an answer he doesn’t really have.
He doesn’t write poetry anymore
and his confusion is strangely endearing.
But there’s a lyricism to his words that I love,
poetic lines inserted between the daily grind
of character names and who said what;
voiceless boys in white a
Overgrown ColorsRed like blood on a rose.
White like bone and stars.
Black like reclusiveness.
Green like dead air.
Orange like the savage instinct.
Purity like a god's heart.
Red like thawing hatred.
White like a frozen, severe cry.
Black like the night's deprived shadows.
Green like the wind in the grass.
Orange like the light in the shadows.
Purity like the sun rising.
So discharging through the moon in a wheeze is like luminous white, dispersed red.
PocketLeftover religion in the pocket
Of my trenchcoat
A key that unlocks nothing
A penny, a scrap of paper
With half of your name
Written in black ink
A song that is usually in my head
In the shriveled carcass
Of a long-dead dream
In the pocket
Of my trenchcoat
With the lint
WindowsHere am I, repeated,
and beyond waits everything
but everything is more
than I can bear.
I am not built for altitude
nor looking far afield;
groves and granite-sided mountains
stop my gaze
like rest for every tired wing;
a cover in the coldest time
snugged up beneath my chin.
Windows nothing more,
but safe lies there behind them
as the chambered hours pass;
safe sleeps there behind them
on the soft side of the glass.
with thanks to frosttwo roads diverged in a soulless dawn
and you pull over,
idling on the shoulder of route 50.
it's a polaroid morning and
the world is as grainy
as your eyes,
and one million miles
is not far enough.
it plays back, filmstrip,
blurred along the length of
and here you are:
facing a choice between
this loosejointed, hollowbodied
this is what
Condemnedbeneath the beaten earth they lay,
their dreams condemned to ashes,
and our restless bodies stretch,
for forgiveness, for direction –
survivors of the abyss,
amidst wide-eye, silent soldiers –
so many dead, so many maimed,
how many graves are we standing on, today?
Pull Her Hair/Stare At The StarsThe ghosts have crashed their ship
on the other side of town,
you can see it from the second floor
all the way over here.
You can see the white clouds
rising from the wreck
and a nova of heat, a big bright
nova of warmth pulling the moths and wolves
out from the woods (with their noses up and searching).
You can smell the yearning like bees
leaving the hive, like the grizzly brown bears
on the jagged white mountains (concrete and imposing).
They call it fear,
but I see these ghosts
scrambling up into the sky
and I like to think it's
something different entirely.
A sister is like a soul mate;
Someone who is always there
to guide me through fate.
A sister is,
a part of childhood that I cannot erase;
A sister like you,
is one that I would never replace
because you always know how to
put a smile on my face.
I know I can depend on you
to always be there for me;
This is one hundred percent guaranteed!
I've had great memories with you
in the past;
and I hope there are many more
in the future.
Life, Death And A Pork Chop SandwichAll tangled up, hard to breathe
This steel cloud day that swirls
With heat and pounding hammers
I shake in my boots and cough up
Blood, rust and damaged flesh
Waiting for the second coming
Maybe next time around there'll be
Some chance for more than this
A twisted barbed wire halo
Wrapped tight around my skull
Blinding white light aura
Swarming with flies I'm flying
To pieces, thousands of shards
Cannot be brought back together
But I will remember the summer
Of my first Chevrolet in each bit
Gleaming bits of glass in the desert
Each reflecting a different moment
Still, now, enduring until the waves
Of a new ocean sweep them away
Riddle My tears fall,
My heart beats,
because of the
What am I?
A Night By the FireNo light,
The light sired by the night
All above whilst the day's delights
Now disappears from mortal sight.
Faded away is the sun's power,
Taking the stage now is night's sallow flower;
Now mortals may behold the stars and falling shower.
Set in a pit Nature's skyscraper ablaze
And revel in the emanating heat as you gaze,
Looking down on occasion when you hear a crack from the fire
And witness "fireflies" flying away from mother's blaze;
Dying shortly after but not lacking burning beauty do they desire!
I look out towards the teasing shore
And meditate as we sit upon her door,
Thinking on what my future has in store;
Who I am now and even
Pretty little things called words and dustif you weren't a hypocrite,
you'd be wrapped in the sweetest
how to engulf the ocean
with your lungs
and think of how to cup it
in your hands
your broken prayers and
still be beautiful)
dance with the gypsies
(a quake in
your hips like the thrust
and the faultlines
so, so graceful)
sing with the nymphs
it's growing old,
your throat's burning dry
like a monsoon
faltering in a desert,
be nestled in a king's arms
(oh, you precious
Avoiding ClichesHe shies away from the shadow, squirming deeper into the dull black abyss beneath his bed as Cliché passes, a beautiful mess with golden hair and an enchanting smile. Yet her willowy frame shakes with the fragility of an unfinished copy, who has been seen and heard and lived before. As he stares at her porcelain legs, he wonders if perhaps all Cliché needs is a companion. Not him, but someone else who will not use her, and will instead help her metamorphose into a rare new soul, fully alive with iridescent wings. But no, he is too normal to help Cliché, for average cannot cure average. So he lets her pass, shunning her presence with pity-fill
And a Sixpence in her ShoeSomething Old.
The first time we meet I am letting a cat out of my bag and you are skipping rocks and skipping school. At first glance I can tell you are broken, with your tired eyes and quivering smirk, and at second glance I realize you are beautiful.
As the cat runs off, a black streak melting into an oil portrait of the woodsy lake, you notice me and tell me your name. In return I tell you a secret.
Secrets, we soon find out, are the oldest tricks in the book.
After we meet each other we find ourselves together time and time again. At the ice cream parlor, the Cineplex, and the animal rescue center. I am busy picking up more cats
Day 2 - I Don't Like YouA little girl with a pointed nose and curly blonde hair marches up to you in her floral Easter dress. She holds her head high, puts her hands on her hips, and stares you down with green-blue eyes. In a squeaky voice of a soon-to-be dictator, she deadpans, "I don't like you."
Time passes and the little girl's voice evens out, her eyes lightening and hair darkening, and eventually she abandons Easter dresses for Prom dresses as she growsgrowsgrows. She meets people who make her heart flutter on more than one occasion, yet the story always ends the same: with her coming up to them, head held high, and saying, "I don't like you."
Of course th
Day 1 - Turn Left HereThere is something to be said for nighttime driving (or crashing, in my case) with someone who has been subjected to everything about you.
At times you hate them as you drive in circles around the block, because they know just what to say to make you angry, and you know just what to say in return to bring them down with you. Yet afterward, you end up with a pocket full of regrets and an incredible about of guilt as you watch them leave. So you run after them, start to apologize just as they start to. And even though feelings were hurt and spirits were crushed, you end up hugging and laughing because every fight ends like that; a Disney-worth
DecayOnce in a harvest moon, a wayward star falls from the sky, causing your vision goes sideways and the grayscale life you've led up to that point erupts into a shower of colors. You stagger to the bar on those nights, the always-empty dive off the road where car crash crosses mark unburied graves, and order a drink. No matter the spirit, it always tastes sweet on your lips, but not as sweet as the girl you always watch but never see in the corner of the bar. A beautiful disaster in a torn dress with glossy blue eyes, the type of girl you end up throwing yourself at, drunkenly stumble into her warm lips. They are a sweet mistake, and she is a sw
A Collision on 4th and OakOn display in the red-lighted intersection
Is a memory of a mothball nightmare,
A silver Buick totaled and your
Silver hair red.
The scene is vague in my clouded eyes,
Figment sirens ringing in my ears
As people rush to help him,
But not you.
And all the while I am in a car, you car,
Speeding through the red-tinted light,
My heart silent, when I hear
A whisper: Faster.
What Am I? Lingering in that photo...
In that simple shot (still, I feel the bullet there)
I look, and I see a woman.
I am not a woman.
I have never worked for a lifestyle,
given birth for an allowance
I have never truly loved a man.
I am not a woman.
I do not have the means to
to wake, feel the calling..(oh, it calls, but I do not answer)
and move, move, move
until I reach a place of
I am not a woman.
Sometimes, I still take the
of my childhood and
place it on shoulders of
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`anmari has been spreading her infectious positivity throughout our community for over 6 years. Throughout this time Ana has been at the core of all things devious, passionately developing an eclectic gallery, helping organise devmeets, participating in chat events and also recently completed dedicating her time as a Community Volunteer. We are absolutely delighted to bestow the Deviousness Award for May 2013 to `anmari, congratulations! Read More